Queer Terrorist/Queer Tapette #4 is a bisexual punk manifesto that calls BS on the biphobia rampant in lesbian and gay communities. Created in MontrĂ©al, Quebec in 1993, Queer Tapette writes queerness into mainstream pop culture while simultaneously critiquing lesbian and gay culture for their sexual exclusivity. The zine opens with a short story that slams the fake radical politics of mainstream lesbians, alluding to how the sense of conformity found in lesbian spaces mirrors that of dominant heteronormative society. Drawing on references to 1990s lesbian popular culture, the story ends on a humorous note that immediately hooks the reader: [they are] âgoing to bed listening to Melissa Ethridge and masturbating to an image of a snotty franco girlâ. This combination of humor and scathing political criticism is present throughout the zine, a tone that both informs and entertains the reader as they immersed in the world of Queer Tapette.
When the reader flips to the next page, they are met with massive text that reads FAG HAGS FIGHT BACK!!!. What follows is a three page collage-style spread that explores the many reasons why the zinester is âfed up with the treatment [they] receive in gay male, lesbian, and straight societiesâ. Continuing with the tone established in the first few pages of the zine, this section is particularly aggressive in its rightful accusations of biphobia from both the straight and lesbian/gay communities. Invoking a coalitional politics, the zinester calls for alliances between bisexual people and âfag hagsâ, arguing that these two identities were the ânewest, hippest funnest coalition ever to emergeâ. This article addresses the fact that bisexuality is itself a marginalized identity within the more broader group of âsexual minoritiesâ, and as such requires unique and special attention be payed to the needs and desires of bisexual people.
Next up, McTheif the Crime Cat makes an appearance to give advice on how to ethically shoplift. The anti-capitalist comic serves as both a recruitment tool and a how-to guide for potential shoplifters, succinctly explaining why shoplifting only harms big business and capitalists and NOT other poor queers. Plenty of yummy bisexual smut is sprinkled throughout the remainder of the zine, squished in between several pages of a super-queer, super sexy 90210 collage/comic, a passionate criticism of gay and lesbian organizations who only advocate for the âcivil rightsâ of their own kind, and several comics and newspaper clippings celebrating the many badass and sexy drag queens that are left behind by exclusionary lesbian and gay politics.
Anti-gay military policy is the subject of one of the last entries in issue #4 of Queer Tapette, closing out the zine much as it began – with an explicitly political message aimed at lesbian and gay activists:
âStop whining to me about how you want let into the military, you clone faggots and dead-head lesbians. What are you fighting for â the right to police nationalist borders of Amerikkka, the right to be âopenly gayâ as you kill other people, the right to effect genocide across the world?â
The radical politics of Queer Tapette rejects the homonormativity perpetuated and desired by mainstream lesbians and gays, and refuses to conform to their liberal agenda of maintaining capitalist and militarized North American culture. This political message is enhanced and diversified by the dark humor and overtly sexual comics and short stories that characterize Queer Tapette as a punk bisexual manifesto.
We’re starting off 2018 with the release of the third issue of From The Punked Out Files of the Queer Zine Archive Project. This issue combines the research of two summers of zinester-scholar-artist-librarians-in-residence at QAZP. It’s 56 pages of writing, thinking and analysis about queer sex zines, queer diy comics, POC zines, zine events, solar eclipses, road trips and frozen custard.
Pamphlet stitch is an old technology, and is one of the simplest non-adhesive bindings. It doesnât require special tools (though Iâll recommend some below), and can be done as a solo project or in a team, with each person taking a step to divide the labor. I see bookbinding as a deeply feminist praxis. In early America, binderies were one of the few places outside the home where it was ârespectableâ for single women to find work. These jobs were also pathways to literacy for these young women, enabling them to learn to read and do sums, as well as providing for themselves and often their families. Reviving and reclaiming the book arts, then, is a feminist act. Queering the book arts extends this logic, and provides a new space for expression with this old tech.


Itâs easy to get discouraged. Easy, and understandable. At times like these, it can be helpful to look back and see how others handled times of crisis. YELL is unfortunately, at the moment, defunct. However, its achievements (as listed near the beginning of YELL #1) are nothing short of inspiring. From handing out condoms and safer sex literature to over 45,000 NYC students, to enacting change in NYC public education policy, to representing youth interests at the international conference on AIDS, itâs clear the body of this organization was just as energetic as its publication.
Weâve been struggling for the past couple of days to come up with something to say about the election. Itâs super hard not to be swallowed by a feeling of absolute doom and horror for things to come. Weâre threatened. ALL our communities are being threatened. Weâre unsure what the next 6 months will bring for us all.


