Hearts of Dankness

Zine of the GayHello everyone! As Pride month has come to a close, we are happy to announce that despite the amount of posts slowing down scheduling-wise, we are continuing with our Zine of the Gay for the rest of the summer! We look forward to sharing even more of our zines with you!

This one’s for all of you Star Wars queers. Today’s Zine of the Gay is Hearts of DanknessHearts of Dankness cover, volume one of a series called My Side-Project by a college student from Canada who goes simply by Blair. It’s a relatively short zine, consisting of some dialogues and drawings by the creator. Though we don’t have any other zines from the series, Blair says that she wants to include themes for every zine, and this one is Star Wars. She writes,

this time out i’ve written about star wars. particularly, conversations about star wars. i like to write dialogue. so did hemingway. but then he never wrote about star wars.

The first dialogue of the zine is called “The Boba Fett Debate” and is between two brothers, Tom and Mike. Starting with the question of “What do you think Boba Fett looks like under that helmet of his, anyway?” we get a fun example of what a night could be spent doing as a young boy, getting into little arguments with your siblings about the facial features of a fantasy man who never shows his face. After insulting each other, actually getting somewhere when it comes to describing Boba Fett’s features, and a visit from their mom (who has no idea which one Boba Fett is), they continue debating and then go to bed. The story really is the essence of boyhood in the late nineties, exemplified in its last couple of sentences: “They decided to go to bed that night after three hours of continuous debate, interrupted only to insult each other. They needed their rest. They had a big day tomorrow, as they were scheduled to re-cast the forthcoming X-Men movie for a fifth time with their friend Johnny at the arcade at two o’ clock, followed by the greatest damn G.I.Joe action-figure battle this world has e’er seen.” The creator includes a drawing of Tom later in the zine as well, with him labeled as “the handsome one”, and considering he’s both “the handsome one” and “the philosophical one” we’d say he’s got a bright future ahead. 

The next dialogue, “Of Pricks and Wookies” follows a new boy Tim and an interaction of his with two school bullies, Steve Ridgley and Larry Jones. This dialogue takes on a more comical turn, with Larry being the typical partially stupid bully and Steve being for some reason incredibly eloquent. Our favorite Steve line in this is when Larry brings up C3PO and R2D2 and calls them lovers, and Steve agrees, saying, “Indeed, most certainly. They were involved in a relationship that was most intimate.” Larry builds upon this and says, “Ya, and I bet they did it with each other too!” When Tim starts to “get smart” with Larry and Steve, which includes explaining Chewbacca is that way because that’s what Wookies look like, Steve says “His manner doth perturb me. Perhaps we should inf1ict pain upon him.” before giving Tim the beating of his life. 

Overall this artist has a really fun and playful style in both their writing, and the visual art they include, which mixes drawings and collages. The zine seems to bask in its young fanboy energy and reflect true to life experiences of boys obsessed with Star Wars. 


Kit Gorton is a current intern at QZAP and graduate student at University of Wisconsin-Milwaukee in library science and English, with focuses on archives and media studies. A rather queer Hobbit, Kit is most often seen collecting things (such as leaves, rocks, books and the like) or doting on their cat, Good Omens Written in Collaboration by Neil Gaiman and Sir Terry Pratchett.

U.S. Kweer Corps

Zine of the Gay

U.S. Kweer Corps, Issue #1, July 2000 Queer Punks, Unite to Fight!! Keeping things radical, today’s Zine of the Gay is U.S. Kweer Corps by friend of the archive Hank Thigpen. Starting in July 2000 and continuing through the early 2000s, Kweer Corps were shorter digests focused on the queer punk scene Hank was observing in Florida. In our archive we have issues #1, #2, #9, and #10.

Kweer Corps #1 includes the Kweer Corps Manifesto, a statement of the issues Hank sees in the punk scene and with queer people. A majority of these issues revolve around the lack of revolutionary spirit in punks and queer people who had been the ones ready to fight for revolution in the past. Hank declares real punk dead, as current punks are more focused on fashion statements and mistreating women at shows than any real political movement, and how other genres of music enjoyed by queer people lack action and purpose. Hank reminds readers that “queers helped create early punk… and kept themselves in every scene and movement in between and STILL havent started fighting for the revolution we’ve been preaching this whole time.” He ends the manifesto with a call to action, saying:

Because I’m ready for MY goddam riot.

Because I cant be the only one.

For these, and for a hundred other day to day reasons, Im a part of the Kweer Corps.

Queer punks, unite to fight!

Hank follows this up in Kweer Corps #2 by talking about the loneliness he experiences as a queer punk, and how he sees other queers at the random punk show but nowhere else. We recommend you read this one for yourselves as the writing here is particularly striking, especially the line: “Straight edge kids and skinheads all know their brothers. Why don’t I know you?” Hank writes about the Kweer Corps as being an alternative to this loneliness that he suspects other queer radicals experience as well through the creation of a community of radical queers across the country.

Cover of U.S. Kweer Corps #9 Image shows a roll of pennies, and the text on the cover reads: “PENNY ROLLS: legal & handy Use electrical or duct tape reinforce ends first! added weight in your fist make the punch so much harder” “I would sooner fuck a dog than let your bigoted bullshit go unpunished.”We then jump to Kweer Corps #9, which starts by showing you how to reinforce a penny roll to add weight to your punches. This issue focuses on physical violence experienced by queer people, challenging what “Your parents told you from the beginning, “Ignore them and they’ll go away.”” Hank encourages hitting back when harassed or beaten up, saying “peaceful resistance doesn’t work against individual attacks.” He states: 

I’m gonna take the knowledge that I will hit back and use it to make myself stronger. I’m gonna think of all the girls and boys who are too small to fight back and I’m gonna get one lick in for them, too.

Hank argues that through fighting back against bigoted, sexist actions, we can start a revolution, and ends the zine by saying, “Instant physical retribution for any attack. Queer punks fight back.”

Kweer Corps #10 is focused on the exclusion of and responses to the Michigan Women’s Music Fest, a festival that stopped in 2015 and only allowed women-born-women into the festival. Hank sees issue both with the exclusionary nature of the festival, and the trans-organized protests that form outside of the festival every year. He writes: “Here’s an idea – instead of spending all that time, energy, and money protesting against women who don’t feel comfortable with things they don’t understand, all to get into a music fest where people like Lucy Blue Trem-bleh headline, why not make our own fuckin weekend of music?” He argues that there are ample resources, a lack of loyalty among the younger women who go, and no monopoly on the performers, so why not? “If we can create our own gender expression, we should be able to create our own shows.” “With all the cute transfolk out there, I would say it’s gonna be her loss, right?”


Kit Gorton is a current intern at QZAP and graduate student at University of Wisconsin-Milwaukee in library science and English, with focuses on archives and media studies. A rather queer Hobbit, Kit is most often seen collecting things (such as leaves, rocks, books and the like) or doting on their cat, Good Omens Written in Collaboration by Neil Gaiman and Sir Terry Pratchett.

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