First things first: Happy Queer History Month! History is built upon the reality we have all agreed upon to pass down. The stories that are decided to be honored and remembered. The markers of history and how we learn about it are integral to the fabric of communities and cultures. How we commune with the tangibility of our ancestors and have a stepping stone in our lineage. It is no surprise that a key element of suppression is a historical one, that is why this month is so important.
The version at archive.qzap.org is intended to be downloaded, printed and distributed.
As a young queer that grew up in spaces where non-heteronormativity didnât exist, the idea of queer elders was a fantasy that I thought would be real once I came out the closet. Unfortunately, this wasnât the case because of such history unmaking. Specially for queer poc. One has to go searching for history when it has been erased for you. Such a search and thirst to learn more about the history of you and your people, the truths that cement the foundation you stand on is an act of care for the legacies they made.
The creator was answered the same questions all young queer people have with such a thirst: where is our history? Where are our elders?
âWhen I confronted my few older queer friends, they smiled apologetically and remarked, “you don’t know these histories because a lot of people that could tell these stories were either murdered by homophobes or murdered by AIDS. The rest of us, the survivors, either don’t know our own histories or are petrified to have any sort of relationships with the younger generations, fearing the label predator and child molester.â
Remembering is an act of honoring and resistance. It is an act of learning and of loving yourself and your lineage. In all its splendid ugly and beauty. I have found that although such remembering does not come easy to history riddled with erasure, the effort that one has to learn to braid into the attempt almost makes it all the more sweet. All histories that are hidden have pressurized into a diamond in the mine of your lineage.
Queer to the Left⊠Queer Holocaust⊠Lesbian Avengers⊠QueerNation⊠QueerLiberation Army⊠White Night Riots⊠Pink Panthers⊠STAR⊠QueerFist.. Combahee River Collective⊠Stonewall⊠Gay Shame⊠George Jackson Brigade⊠Homocore⊠Gay Liberation Front⊠ACT UP⊠Compton Cafeteria Riot⊠Out of Control⊠Gay Activist AllianceâŠ
If you donât recognize one or some of these moments, this zine is for you.
Something that I deeply appreciate is the nonlinearity of the zine. Time itself is subjective and its affective realities in our minds are anything but one dimensional. When one remembers one doesnât go through every second from the moment you are to the moment you were. Our lives and our ancestors are not neatly winded into a coil of cassette tape to rewind through. Rather time is in a perpetual vomiting and unwinding of such cassettes, our times being in constant undoing through doing. This zine reflects the act of remembering such radical moments. In such entanglements oneâs memories form new connections.
To attempt chronology is to go through the structure that was the one that attempted the erasure of our history. Queering such chronology is necessary to the understanding that the future isnât ahead of us. We cannot see the future but we can attempt to bear witness to the past to inform the cradle of our necks that nurture a possible futurity.
âČâŒâČâŒâČ
I will not be going through the entire zine for a summary for you. I urge you to read the zine yourself, to envelope yourself in history making in such resistance work. The work that has allowed me to be semi-okay on campus with a shirt that says âI â€ ïž Pussyâ. How much queerness is synonymous to political resistance.
I do want to shout out our very own and its part to such history-making. Homocore! Zinesters! I call upon you to be history in your history:
Valeria is interning at QZAP this semester. She is in her senior year at University of Wisconsin-Madison studying Gender & Womenâs Studies. She was born and raised in Valencia, Venezuela and now lives in Teejop land (Madison, WI).
In my personal experiences in queer âactivistâ spaces, I have often felt a dissonant feeling about the uncommitment for action. This âactivismâ with no action! The âactivistsâ becoming more âactorsâ at a performance of progress rather than tangible change. In my objective mind and what I will always tell people first, the mentality I go into these activist spaces is something along the lines ofâŠ
⊠that all effort is worthwhile, all efforts towards progress should not be halted just because they are not radical enough. We need to eat to enact the revolution. We need to make sure we survive today to protest tomorrow. The effort of the improvement of current living conditions should never be considered obsolete. Mental and physical health is super important, take care of yourself above anything. How could we honor the martyrs all around the world if we do not continue doing anything we can? How can we say that all the effort up until now is worth nothing? Isnât the most revolutionary thing to have radical hope and to enact it in any way possible?
Perhaps it is because of my young self in these times of grand disillusionment with the world, but in my heart and people that know me deeply know I want to scream and bite peopleâs heads off for the incompetence and inaction that occurs. The anger that lights my eardrums on fire for the way that people cannot see how it is a waste of time to put energy on discourse on trivial matters is when peopleâs lives are on the line! How selfish it is to put your own feelings and ideologies first above the group! What happened to coalition-building?! How selfish and elitist it is to feud and then refuse to work together on the common goal because of your conceptions and perspectives on how you understood the theory that you read (or didn’t read)! Why is everyone just sitting around and talking about how they canât do anything? What do you mean you are so angry you do nothing? How are you not so angry and do something? How could we honor the martyrs all around the world if we do not continue doing anything we can?
I believe both of these things at the same time but it does make me feel dizzy when in discourse I am told they are opposition. In contrast, I see them in innate relation. Doing everything we can, rest and action, despite it all is radical hope. To be a revolutionary you must be so angry at the world for its current state and its capacity to be better. Being impatient because it can be better and it isnât. Imagining always ends up with me being on the street. Being an activist is having the radical hope that the revolution isn’t raining down on a random day like the rapture but you are going to be part of it.
Consciously I am aware that rarely have none of us gone through a truly unique experience. However, considering how every mind is an island, sometimes we forget the sea. Our antecedents and shoulders in which we stand upon to look out into the sea. As I was scavenging a zine to write about I stumbled upon the fabulous and extremely validating manifesto zine for the Lesbian Avengers. A hilarious and extremely dykey call to action, impatience, and mobilization effort. What a comfortâŠ
Founded in 1992, the Lesbian Avengers were a direct action group focused on lesbian visibility and survival. According to their telling of their history: âToo impatient for lobbying or letter-writing, these fire-eating secretaries, students, cab drivers, journalists, artists and teachers joined together to create fabulous street actions that inserted lesbians into public life, forced political change, and redefined dykes as the coolest, most ferocious, girls on the block.â
The Lesbian Avengers’ Civil Rights Organizing Project (LACROP) went further, taking a group of lesbians where they’d never been before â into the heart of heartland politics. LACROP transformed grassroots organizing by putting local activists front and center, pushing them to be fully out, and eschewing mainstream campaign tactics that relied on people remaining in the closet. In Maine, it organized door-to-door canvassing and led community forums where people came out publiclyâincluding teachers and small business owners. Where mainstream efforts in Idaho tended to do one thing, LACROP did almost the opposite: putting local queer people at the front of, and in charge of, goal setting, public events such as speak-outs and kiss-ins, and door-to-door outings sharing personal stories. By empowering queer people to come out and to engage directly with their communities, LACROP defeated an homophobic initiative in rural Idaho and laid long-term infrastructure for social change.
âMedia was often keyâŠThe Lesbian Avengers shaped their actions for visual impact, and had media committees dedicated to outreach and âpropaganda.ââ
In the zine we have archived, the manifesto shows us this in the dykiest way possible. Bright pink and in all caps, I am truly being showered in lesbian rage. Calling out all lesbians from all corners and crevices they may be hiding inâŠ
âIT’S TIME TO GET OUT OF THE BEDS, OUT OF THE BARS AND INTO THE STREETS TIME TO SEIZE THE POWER OF DYKE LOVE, DYKE VISION, DYKE ANGER DYKE INTELLIGENCE, DYKE STRATEGY. TIME TO ORGANIZE AND IGNITE. TIME TO GET TOGETHER AND FIGHT WE’RE INVISIBLE AND IT’S NOT SAFE- NOT AT HOME, ON THE JOB, IN THE STREETS OR IN THE COURTS WHERE ARE OUR LESBIAN LEADERS?â
The first page of this zine is a punch in the face but you like it. A punch that tells you to get your lesbo s*** together while having a good laugh. Truly enveloping yourself into the evil dyke archetype that gets matters mobile. There is an ever present sense of that impatience and exasperated feeling that any person, including myself, is overcome with one point or another that fuels a certain kind of anger:
âWEâRE NOT WAITING FOR THE RAPTURE. WE ARE THE APOCALYPSE. WEâLL BE YOUR DREAM AND THEIR NIGHTMARE.âÂ
The Lesbian Avengers queer political language and âpropaganda.â Using catchy short sentences of action and purpose such as the ones we have been too heavily familiarized with in campaign cycles. This time around in the most queer way possible of such language: instead of performative words to gain votes, its real promises. Instead of comforting and digestible slogans, we have âpredatoryâ lesbianistic and often sexual threats to enact fear and recruit!
On the following page of the zine we are introduced more formally to the main aims and goals of the Lesbian Avengers: Who are the Lesbian Avengers? What is direct action? And why no abstract theoretical discussion?
They define direct action as âa public intervention ranging in creative form from marches to street theater to speak outs to cathartic spray painting of anti-hate slogans.â
Such creative interventions are what should be at the core of mobilization efforts to make the public uncomfortable, aware, and inconvenienced. Reminding that lesbians are here.
In the section on abstract theoretical discussion they ask âHow many of us have sat in meetings arguing political theory to the point of mental and physical exhaustion, to the point where we run screaming to the nearest dance floor for release from the frustration?!â ME! ME! ME!
I will not make the case against abstract theoretical discussion, if anything I am all for it. I want to surround my life with abstractism, art, and theory. In the overdetermination of understanding and defining, we have lost the sauce. What the western mindset has failed to realize is that abstractism and theory is not the thing itself but the action of forming meaning and nomenclature for aspects of experience, humanity, and existence, that are based in reality. Simply that our language doesnât not have tangible tools to describe such elements. What we are describing is very real and the action that must be connected to it must be very real as well. One drives the other and vice versa. Theory and abstractism exist because of reality. Discussions around theory that donât leave you stimulated and itchy with the capacity and fuel to do something⊠going out to the street, creating something, forming a connection⊠babe. Discussions on political theory that lead to inaction because of political polarity⊠isnât that the antithesis of why we are here? You forgot to touch the grass that you have been reading so much about! Itâs right there!
Valeria is interning at QZAP this semester. She is in her senior year at University of Wisconsin-Madison studying Gender & Womenâs Studies. She was born and raised in Valencia, Venezuela and now lives in Teejop land (Madison, WI).
As someone who’s made many friendships through zines, from close friends to far-flung penpals to passing but delightful acquaintances, Lee is putting together a zine about zines and zine community as a way that people build and maintain friendships, and they’d like to hear about other people’s answers to any of the questions below (no need to answer all of them), or any other thoughts & memories you have about meeting people via zines:
Who is the closest friend youâve made through zines?
What is your first memory of making friends through zines?
How are the friendships youâve made through zines different from the friendships youâve made in other ways?
What other memorable personal connections have you made through zines? Dates? Jobs? Roommates?Enemies??
When you read a zine you like, do you get in touch with the person who wrote it?Â
If youâve been in zine worlds for a while (like a decade or more), how have the ways you make and sustain zine friendships changed over the years?
Reply to lee@sheerspite.ca! They will happily send print or PDF contributor copies to anyone who replies, and if they’re going to refer to something you’ve said, they’ll check in with you about it before it goes to print.
Keeping things radical, todayâs Zine of the Gay is U.S. Kweer Corps by friend of the archive Hank Thigpen. Starting in July 2000 and continuing through the early 2000s, Kweer Corps were shorter digests focused on the queer punk scene Hank was observing in Florida. In our archive we have issues #1, #2, #9, and #10.
Kweer Corps #1 includes the Kweer Corps Manifesto, a statement of the issues Hank sees in the punk scene and with queer people. A majority of these issues revolve around the lack of revolutionary spirit in punks and queer people who had been the ones ready to fight for revolution in the past. Hank declares real punk dead, as current punks are more focused on fashion statements and mistreating women at shows than any real political movement, and how other genres of music enjoyed by queer people lack action and purpose. Hank reminds readers that âqueers helped create early punk⊠and kept themselves in every scene and movement in between and STILL havent started fighting for the revolution we’ve been preaching this whole time.â He ends the manifesto with a call to action, saying:
Because I’m ready for MY goddam riot.
Because I cant be the only one.
For these, and for a hundred other day to day reasons, Im a part of the Kweer Corps.
Queer punks, unite to fight!
Hank follows this up in Kweer Corps #2 by talking about the loneliness he experiences as a queer punk, and how he sees other queers at the random punk show but nowhere else. We recommend you read this one for yourselves as the writing here is particularly striking, especially the line: âStraight edge kids and skinheads all know their brothers. Why donât I know you?â Hank writes about the Kweer Corps as being an alternative to this loneliness that he suspects other queer radicals experience as well through the creation of a community of radical queers across the country.
We then jump to Kweer Corps #9, which starts by showing you how to reinforce a penny roll to add weight to your punches. This issue focuses on physical violence experienced by queer people, challenging what âYour parents told you from the beginning, âIgnore them and theyâll go away.ââ Hank encourages hitting back when harassed or beaten up, saying âpeaceful resistance doesnât work against individual attacks.â He states:Â
Iâm gonna take the knowledge that I will hit back and use it to make myself stronger. Iâm gonna think of all the girls and boys who are too small to fight back and Iâm gonna get one lick in for them, too.
Hank argues that through fighting back against bigoted, sexist actions, we can start a revolution, and ends the zine by saying, âInstant physical retribution for any attack. Queer punks fight back.â
Kweer Corps #10 is focused on the exclusion of and responses to the Michigan Womenâs Music Fest, a festival that stopped in 2015 and only allowed women-born-women into the festival. Hank sees issue both with the exclusionary nature of the festival, and the trans-organized protests that form outside of the festival every year. He writes: âHereâs an idea – instead of spending all that time, energy, and money protesting against women who donât feel comfortable with things they donât understand, all to get into a music fest where people like Lucy Blue Trem-bleh headline, why not make our own fuckin weekend of music?â He argues that there are ample resources, a lack of loyalty among the younger women who go, and no monopoly on the performers, so why not? âIf we can create our own gender expression, we should be able to create our own shows.â âWith all the cute transfolk out there, I would say itâs gonna be her loss, right?â
Kit Gorton is a current intern at QZAP and graduate student at University of Wisconsin-Milwaukee in library science and English, with focuses on archives and media studies. A rather queer Hobbit, Kit is most often seen collecting things (such as leaves, rocks, books and the like) or doting on their cat, Good Omens Written in Collaboration by Neil Gaiman and Sir Terry Pratchett.
As many of the zines we have focused on for the last three Zine of the Gays have been mostly text-based, we wanted to highlight some zines that were more art-focused, and what is more cooperative, comforting, and artistically rule-breaking than a coloring book?
My 2nd Lesbian Colouring Book was created by Sacred Feminine and actually comes from Toronto like our last zine, Shame on Pride!, just a year later in 2006. There is very little text in this zine, but the writing we do have is a request by the creators for completed works from the zine. They say:
We feel that the spirit of art, much like the spirit of sisterhood, is a co-operative one.
In exchange for the readerâs Sapphic graphics, they offer a âcare package including herbal tea and a mix tapeâ which feels so perfectly lesbian it makes us all warm inside.
The coloring pages include queer women of the past and present who were famous across multiple fields, such as basketball player Sheryl Swoopes, musicians Madonna and Melissa Etheridge (who is pictured on the front cover), comedienne Lily Tomlin, writer Virgina Woolfe, and (actually genderqueer) activist Leslie Feinberg.
The zine ends with the statements âSisterhood is Powerful!â and âLove is tender, knows no gender.â We hope that you carry these sentiments with you, and if youâre able to print the pages out, have fun coloring!
Kit Gorton is a current intern at QZAP and graduate student at University of Wisconsin-Milwaukee in library science and English, with focuses on archives and media studies. A rather queer Hobbit, Kit is most often seen collecting things (such as leaves, rocks, books and the like) or doting on their cat, Good Omens Written in Collaboration by Neil Gaiman and Sir Terry Pratchett.
Even though this Zine of the Gay project is inspired by Pride month, we at QZAP want to make sure we look at Pride critically. Todayâs Zine of the Gay is Shame on Pride! created by Abuzar in 2005. The original zine was created as a part of Queer Diversity, a community focused on the relationship of radical queers to (at the time) modern day Pride in Toronto. Though this zine is specifically focused on Pride Toronto from almost twenty years ago, the messages are still applicable and we encourage you, dear reader, to keep an eye out for racist, transphobic, sexist, or classist behavior at any Pride celebration you go to this month.
Before even giving a table of contents, the zine starts with newspaper clippings from the New York Post and New York Times recounting the Stonewall riots, reconnecting readers with the reason we have pride in the first place. After the table of contents, Abuzar addresses their readership:
Calling all Radical Queers, Trans People, Youth, Sex Workers, Poly People, Anti-Poverty Activists, & Allies:
Sick and tired of the main streaming of the “Gay Movement”?
Frustrated at being pushed out of and excluded from queer spaces?
Angry at getting kicked out of a queer community we helped create?
⊠If you’re a pissed off and unapologetic hooker, tranny, gender queer, radical, lived/worked on the streets, or an ally, it’s time to fight back!
They then follow what happened after Stonewall, as white gay people began to push down other sexual and gender minorities in order to assimilate into mainstream culture. Abuzar says that in their pursuit for mainstream acceptance, âIt doesn’t matter how many of us are murdered, go missing, or find ourselves excluded, bashed, or beaten. The band plays on like the single minded machine that it was always meant to be.â Pride has now become another part of this single minded machine, becoming a co-opted event âthat perpetuates homophobia, transphobia, racism, sexism, social classism, economic classism, polyphobia, bodyphobia, binary-dominance, sex negativity, erotophobia, ableism, ageism, anti-sexwork sentiment, systemic exclusion … in short, all of those issues that it was meant to address and fight.â
There are also other pieces within the zine that address Stonewallâs origins, the internal oppression in gay culture, and how âmore acceptableâ queer people âsic cops on âless acceptableâ queer people at Pride.â There is also a piece on how the fight for gay marriage âdismisses and ignores the decades-long struggle of feminist movements to abolish or establish progressive alternatives to the marriage system imposed by governments and churches over previous centuries of gendered exploitation, colonization and oppression. Instead, the debate encourages non-heterosexual partners to identify the legitimacy and âequalityâ of their relationships as the ability for those partnerships to be âpermittedâ by the same legal and religious authorities which have historically dominated, exploited and excluded women from participation and decisionmaking [sic] roles.â These argumentative pieces all support the majority of the body of the zine, which is focused on alternative queer spaces at 2005 Pride Toronto.
The main point of this zine is that rather than just creating alternative spaces for queer people, we need to also actively resist the co-opting of queer spaces. The body of the zine highlights organizations offering alternative spaces and resisting the co-opting of Pride, with events such as Resist! Rovolt! Celebrate! held by Limp Fist to stand against the corporate sponsors of Pride, Whores And Dykes Unite! organized by the Sex Professionals of Canada which is a march supporting trans people, sex workers, natives, and other POC within the greater Dyke March (a politicized, corporation-free, queer alternative to Pride), as well as the events held by Queer Diversity called the Renegade Community Fair and the Protest Against The Cooptation of Pride, both of which looking to dissent against Pride in the community fair and parade. Abuzar writes about these events, saying:
We refuse to participate in Pride in a manner complicit with their oppression. We refuse to be tokenized by Pride and dissent against it’s marginalization of the queer community.
Kit Gorton is a current intern at QZAP and graduate student at University of Wisconsin-Milwaukee in library science and English, with focuses on archives and media studies. A rather queer Hobbit, Kit is most often seen collecting things (such as leaves, rocks, books and the like) or doting on their cat, Good Omens Written in Collaboration by Neil Gaiman and Sir Terry Pratchett.
From the femme herbal transition of The Transgender Herb Garden, we are now transitioning (hehe wink wink) towards Hot Rods, a zine of health resources for âFor Folks assigned a Female sex at birth who have strayed from that pathâ in Oregon. The zine was made by Gender Machine Works, a direct action group serving âfemale assigned, gender-variantâ (or FAGV) people based in Portland, Oregon, and was published in 2002. This is the only zine we have in our digital collection made by Gender Machine Works.
Despite being written with a very specific audience in mind (FAGV people in Portland in 2002), this zine has a lot of incredibly useful, effectively timeless, information. This includes the effects of hormonal testosterone on the body, their information on routine healthcare procedures for AFAB individuals, how to check for breast cancer and do hormone injections safely, safe sex tips, and a wealth of other important knowledge for not just physical, but mental female assigned, gender-variant health.
From a use standpoint, the only downside is that a lot of the information they give is very area-specific and probably outdated. However, looking at it from a historical lens, it gives a lot of information about doctors, groups, and resources that may not be well-documented, making this zine a really important record in Portland queer history. They are also supportive of a multitude of gender identities and are incredibly open to a multitude of viewpoints regarding transitioning.
In a world where transgender healthcare rights are being taken away right in front of us, we feel itâs incredibly important to come together as a community, and know that despite everything we can support each other and find the cracks in the systems restricting us from getting essential care. We feel that this zine is a great example of the queer community doing just that.
Kit Gorton is a current intern at QZAP and graduate student at University of Wisconsin-Milwaukee in library science and English, with focuses on archives and media studies. A rather queer Hobbit, Kit is most often seen collecting things (such as leaves, rocks, books and the like) or doting on their cat, Good Omens Written in Collaboration by Neil Gaiman and Sir Terry Pratchett.
Hello ! This summer we once again have a cohort of interns working on several projects, one of which includes a month-long research and blogging project called Queer Zine of the Gay. We will be posting just about every other day for âPride Monthâ 2023 on a zine within our holdings, which will hopefully be new to even the most experienced zinesters. So join us on this journey through QZAPâs holdings 3-4 times a week, (usually Monday, Wednesday, and Friday) here on the QZAP blog! The first Queer Zine of the Gay isâŠ
The Transgender Herb Garden: an MtF guide to disconnecting oneself from big pharma by FlyingOtter is a cottagecore-anarchist zine focused on the use of herbs to help facilitate physical transition rather than relying on pharmaceutical companies. This zine was published in 2009 and upon some supplemental research seems to be one of the few zines made by FlyingOtter. This zine is a one-off, but is also held by other queer zine archives, so it must have circulated well.
FlyingOtter starts by addressing the fact that this is not medical advice, but is rather suggestions on herbs to eat for other MtF people that may help them appear more feminine as the herbs helped her. However, ze suggests that anyone can read this and get advice from it, as âtrying different plants and foods will inform you about yourselfâ.
âAs you take the time to sense how it makes you feel , how your body reacts, in its slightest movements and ways â as you come to know your own body, that is the key to transforming it, maintaining it, and healing it.â
Ze recommends eating the herbs raw, though teas also can be useful, as well as finding a good balance for how often you consume them. Ze also suggests switching up the herbs youâre eating, especially if youâre MtF, as âA bio-womanâs biology/hormones change throughout a month, no reason to not do the same.â Some of the herbs ze suggests include sage, fennel, and clover, which are all wonderful nonbinary names. FlyingOtter says that they wonât stimulate breast growth, but will help add fullness to the face and thighs, while helping create an hourglass figure.
Some other zines (page 8) cite this zine as purely anecdotal, which is true, but they also point out the information on transplanting the plants Ze does discuss is rather helpful. We also personally donât mind how anecdotal the zine is. In reading it we get a much better sense of the person writing it, the environment and feeling that ze carries with zir than information on the plants ze suggests using. But that doesnât mean weâre not learning anything from FlyingOtter. Ze very clearly has a lot of gardening knowledge, including information about the amount of nitrogen carried by certain seeds that will add to your soil, and where things should be planted depending upon use. Ze also advocates for community herb gardening with female bodied people, and breaking away from the machine of capitalism, which are easy to get behind.
One of the most interesting parts of the zine is where FlyingOtter discusses gender as a construct of capitalism, and looks forward to the day where there is no gender. Seeing this through their perspective we think is rather telling of where the queer community was in regards to nonbinary and agender genders in 2009, and we highly recommend reading it for yourself.
â ïž â ïž Additional Advisory Note!!! If interested in using herbs similarly, lovely reader, you should consult with professional herbalists when embarking on using herbs in a medicinal or health-boosting capacity.
Kit Gorton is a current intern at QZAP and graduate student at University of Wisconsin-Milwaukee in library science and English, with focuses on archives and media studies. A rather queer Hobbit, Kit is most often seen collecting things (such as leaves, rocks, books and the like) or doting on their cat, Good Omens Written in Collaboration by Neil Gaiman and Sir Terry Pratchett.
As 2022 draws to a close, we’re saying “we’ll see you soon!” to our intern Cedar. For their final zine project they made a 24 page perzine called Violet Tendencies #2. A combination of personal narrative, pop-culture influences, and an exaltation of all things butch, it’s a great addition to our archive, and shows a growth of their work in zines as both an artist and writer. While we’re sad to see them go, we’re super excited that this zine is out in the world, and we’re looking forward to collaborating with them in the near future.
One of the fun things that Cedar did with this issue is create a personality quiz. It’s very Autostradle-style, but also hearkens back to older queer zines, and even the long-departed Sassy. Click through to take the quiz and find out…Â What Lesbian Earrings Are You?
Today is World AIDS Day, and while we’re not “celebrating”, per se, we are acknowledging the day, and the incredible impact this stupid fucking virus has had on our lives, our friends, our communities, and the whole damn world. In this vein, we present Sex Panic! – The Zine by the fine activists of Sex Panic!
This 40 page, digest size zine from 1997 is a collection of essays about how the anti-sex policies and politics of the 1980s and 1990s (and into the current millennium) have had a huge negative impact on queer communities. While the zine’s focus, at least initially, is on New York City, it’s contents is applicable much more broadly.
*Doug Crimp was also one of the authors of AIDS Demo Graphics, which documents the first couple of years of ACT UP visuals, and has been a huge influence on us and scores of queer zine makers around the world.